WHAT TO EXPECT WHEN YOU’RE EXPECTING (Kirk Jones, 2012)
The
prenatal comedy WHAT TO EXPECT WHEN YOU’RE EXPECTING provides a
snapshot of contemporary anxieties about imminent parenthood, but it may
be more worthwhile as a document for future pop culture scholars to use
to understand what was trendy in 2012. Reality TV shows in the forms
of a weight loss program and a celebrity dance competition, Auto-Tuned
YouTube videos, and food trucks play prominent roles in the loosely
intersecting plots of five pairs expecting babies. Whether the film is
analyzed for the attitudes and fears particular to this time for
parents-to-be or what captured the mainstream’s attention, there are
more valuable details found in the margins than in the dull and
fragmented story.
The
sets of expectant parents cover the spectrum. Celebrity fitness
trainer Jules Baxter (Cameron Diaz) thinks she can keep up her rigorous
schedule while pregnant and doesn’t need to consider the input of Evan
(Matthew Morrison), her partner in the relationship and on the TV dance
contest where they met. Holly (Jennifer Lopez) stresses over impressing
adoption officials so she and her husband Alex (Rodrigo Santoro) can
get a child from Ethiopia while he is wary of the major changes that may
be forthcoming in their lives. Alex is encouraged to hang out with a
dad’s group that is intended to allay his fears but may reinforce them
instead.
Food
truck operator Rosie (Anna Kendrick) is upset to discover that she got
pregnant from a one night stand with Marco (Chace Crawford), a rival
cook she knows from high school. He commits to being there for her, but
they struggle with a relationship started out of a sense of duty. Baby
store owner and children’s book author Wendy Cooper (Elizabeth Banks)
and husband Gary (Ben Falcone) have been trying hard to get pregnant and
are elated when it happens, but the nine months aren’t as smooth as
they would hope. It’s all the more aggravating for them because Gary’s
young stepmother Skyler (Brooklyn Decker) and his dad Ramsey (Dennis
Quaid) are regularly one-upping them with the ease of her pregnancy.
Based
on a pregnancy guide, WHAT TO EXPECT WHEN YOU’RE EXPECTING ticks off
boxes on the checklists of things to be aware of as parents anticipate
the arrival of their babies. The four stories set in Atlanta and single
one based in Los Angeles reflect the diversity of experiences but play
out as perfunctorily told, mostly meaninglessly connected tales. All
but one of the subplots come straight off the romantic comedy assembly
line, reducing this major life event to strings of wacky hijinks and
dodged conversations by people who seem as though they’d be challenged
bringing a puppy into their homes, let alone a newborn child. The
scenarios didn’t need the gravity of educational role playing, just more
emotional heft, especially in Kendrick and Crawford’s unusually
featherweight section, and less broadly contrived nonsense.
The
one thread that feels the most honest centers on Banks learning that
being armed with information and the best laid plans doesn’t mean
everything will happen easily or perfectly. Her scenes, particularly a
conference presentation, touch upon the range of emotions and complexity
of the challenges during pregnancy that the rest of the film tends to
gloss over.
Grade: D
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