A couple items from the first two days that I haven't found room for previously...
TARNATION'S Jonathan Caouette mentioned that he intends for his next film to be a parapsychological horror film. He may shoot it with a new camera that uses Memory Sticks that mimic 35mm film.
Anne V. Coates told the story of the LAWRENCE OF ARABIA dailies showing up with fingerprints all over them. Producer Sam Spigelman had everyone on the camera crew fingerprinted but none matched. He then had everyone at the lab fingerprinted, but still none of the prints matched. Finally, he had those at the Eastman Kodak plant in Rochester, New York fingerprinted. Bingo! Apparently a new employee there, who was working in the dark, would periodically grad hold of the film to make sure that it was where it needed to be, leaving his fingerprints all over the film. Coates pointed out that she could still see one of the fingerprints in the print that showed Wednesday night.
Walking from the Illini Union to my car, I heard the noontime university bells playing..."Fly Me to the Moon". Not exactly what one would expect.
Two morning panels and TULLY, Buster Keaton's THE GENERAL with The Alloy Orchestra's live accompaniment, the Keaton homage short THE SCAPEGOAT, and EL NORTE are on tap today.