CONFETTI (Debbie Isitt, 2006)
The mock documentary CONFETTI satirizes the wedding industry and the couples who want to do something different for their special day. Confetti magazine sponsors a contest to put on the most creative ceremony. Two of the finalist couples’ themes—tennis and 1930s Hollywood musicals—offer the possibility of delivering stylish events that will look attractive on the cover of the magazine. The naturist couple wants to have a nude wedding, which presents a dilemma for the publication if they win.
CONFETTI is the latest mockumentary to encounter the problem of reality, or reality TV, being more outrageous than the filmmaker’s send-up. With bridezillas raging across the screens of cable television, the relatively well-behaved couples in CONFETTI don’t stand a chance of matching the level of derision that their real-life counterparts encourage.
The wedding concepts aren’t wild and crazy either, although the naturist couple’s propensity for appearing completely undressed in the film may be a shock to mainstream American moviegoers. That said, this British comedy is almost too polite. Pat jokes about overbearing mothers-in-law, the emotional gay wedding planners, and the ultra-competitive tennis couple are hardly the stuff of hearty laughs or inspired improvisations. The two funniest people in the film—THE OFFICE’S Martin Freeman and SPACED and SHAUN OF THE DEAD’S Jessica Stevenson—comprise the straight couple in comedic terms.
CONFETTI isn’t uproariously funny or all that compelling, but director Debbie Isitt has the good sense to end it on a high note. The ceremony for Matt and Sam (Freeman and Stevenson) is reminiscent of Busby Berkeley’s elaborate song and dance routines and a treat to watch.