January 15-21, 2013
Film
10. MAMA (Director, 2013) (35mm) (Arena Grand) (January 18)
In
short time Jessica Chastain has become one of the best working
actresses. It’s surprising to check her filmography and find little
there prior to her breakout 2011. Granted, she amassed several projects
that all happened to see the light of day in the same year, but her
emergence felt like it occurred overnight even if it didn’t. While she
won’t be winning any awards for MAMA, she’s very good in this
contemporary fairy tale by way of a horror movie. This kind of film can
often feel like it comes off the assembly line, but MAMA displays some
thoughtfulness and visual flair to set it apart. (Review)
Grade: B-/63
11. BROKEN CITY (Allen Hughes, 2013) (35mm) (Arena Grand) (January 18)
Forget
it Mark Wahlberg, it’s the Big Apple. Allen Hughes tries to make New
York City’s version of CHINATOWN. He has the look and feel down, but
the intricate twists and turns in Brian Tucker’s screenplay lack much in
the way of surprises.
The
more interesting elements tend to be in the margins. The girlfriend of
Wahlberg’s character is an aspiring actress, and they attend the
premiere of her independent film. What we see of it are pretty
terrible--intentionally so--and hysterically funny. This section
provides a more incisive and witty look below the surface of official
public statements than the political scenes. I also liked Alona Tal as
Wahlberg’s administrative assistant. Her give-and-take with the boss
snaps.
Grade: C/47
12. THE LAST STAND (Kim Jee-woon, 2013) (2K DCP) (Rave Polaris) (January 19)
I
elected to keep these observations out of my review, but this seems
like the right space for them. Can THE LAST STAND be read as a
conservative fantasy? The hero is jaded about life in the big city and
gives it up for peace and quiet in quintessential small town America.
The feds are either corrupt or unsuccessful at their job. It falls
upon the local officials to get the job done properly. The good guys
even require a citizen’s private arsenal to fight back. The hero and
villain chase and duel with American-made cars. Or maybe it’s just the
form and this is all reading more into it than is intended? (Review)
Grade: B-/60
13. BEVERLY HILLS COP (Martin Brest, 1984) (HD stream) (January 20)
A
by-the-numbers crime story drags down this would-be comedy. As the
fast-talking and ingratiating prankster policeman, Eddie Murphy shows
why he’s a star even though his films are, by and large, not very good.
He’s very appealing in BEVERLY HILLS COP as he orders room service for
the officers staking him out and stuffs bananas in their tailpipes to
shake them, but Murphy’s personality isn’t enough to carry a film more
devoted to the boilerplate TV procedural plot. There’s literally zero
mystery in the investigation. The tepid fish-out-of-water humor fails
to mine the comedy in a streetwise Detroit detective visiting swanky
California. And hey, there’s Jonathan Banks as a bad guy! There’s
nothing remarkable about what he does here, but for anyone who’s seen
him on BREAKING BAD, it goes to show the talent that often goes
unnoticed in disposable parts like this one.
Grade: C/46
14. ZERO DARK THIRTY (Kathryn Bigelow, 2012) (35mm) (Arena Grand) (January 21)
Just as riveted seeing it a second time. And what I said about Chastain in MAMA? That goes double or triple for her here. (Review)
Grade: A/90
Shorts
9s. REJECTED (Don Hertzfeldt, 2000) (YouTube) (January 16)
“My
anus is bleeding!” Proof that I don’t always need humor to be
sophisticated. I laughed myself silly when I saw this in THE ANIMATION
SHOW and did so again when showing it to some students the day after
taping a show in which we reviewed IT’S SUCH A BEAUTIFUL DAY.
Grade: A/90
Literature
1. GONE GIRL (Gillian Flynn, 2012)
Through
a conventional mystery Gillian Flynn dissects a troubled marriage and
explores what we think we know about the people we see, be it in
everyday life or in the media. She alternates chapters of the husband’s
thoughts when his wife goes missing on their anniversary and her diary
entries. It’s an ingenious way of studying how individuals construct
the selves they reveal to others and the assumptions society makes based
on available information, especially in sensational news stories. GONE
GIRL can be very cynical about how men and women relate to one another
and how people use others for their own purposes, but it’s a fascinating
and often thrilling read.
While
reading the novel, I felt like it could be best translated as a short
order TV series, maybe two or three seasons. After I finished GONE
GIRL, it was announced that David Fincher may direct the film adaptation. He’s a sensible choice. Reportedly Reese Witherspoon may
play the lead female role. This should be a whale of a part. The only
thing of note she’s done in recent years is HOW DO YOU KNOW, so it would
be nice to have her return with something worthy of her talent.
Music
10. Van Halen THE BEST OF BOTH WORLDS (2004)
Other
than excluding “Ice Cream Man”, this 2-CD greatest hits set includes
pretty much all the album-oriented rock radio staples by one of the
biggest rock bands of the 1970s, ‘80s, and early ‘90s. A collection
like this would be hard to mess up, yet the sequencing has to be among
the worst of any band’s best-of compilation. The listener can fix this
in the MP3 era, but if you pop this into a car CD player, as I did this
week, the order is maddening.
The
first disk begins with “Eruption”, inexplicably separated from their
cover of “You Really Got Me”, and three mediocre-to-bad new songs. From
then the set lurches between eras, alternating between songs with David
Lee Roth and Sammy Hagar as lead singer. The only consecutive Roth-era
songs are tracks 13 and 14 on the second CD, and they’re promptly
followed by three live cuts with Hagar plowing through Diamond Dave
classics. Clearly the sequencing is a middle finger from the band to
Roth, but they’re also insulting fans and making themselves look bad.
If anything, the stark contrast makes the Hagar-era songs pale in
comparison to when Roth was the front man.
I
used to prefer the so-called Van Hagar lineup, probably because those
songs were more melody-inclined, but put me down now as recognizing that
the group was far superior when Roth was in the band. His goofball
persona used to be what put me off, but listening now I can hear how
he’s a better fit, especially at selling the double entendre-laden
lyrics. Hagar sounds too earnest in comparison.
Key
tracks: “Ain’t Talkin’ ‘Bout Love”, “And the Cradle Will Rock...”,
“Unchained”, “Panama”, I’ll Wait”, and “Runnin’ with the Devil”
11. The Walkmen HEAVEN (2012)
At
this point when Spoon puts out yet another great album, it’s taken for
granted. Quietly The Walkmen are in the process of doing the same
thing. I’m slowly trying to put together a favorite albums of 2012
list, so I popped their latest in and was reminded (and kind of stunned)
how great it is. Maybe I should have gone down to campus this week to
see them in concert again. (I caught them in Cincinnati opening for The
New Pornographers in 2011 and was suitably impressed.)
Key tracks: “We Can’t Be Beat”, “Love is Luck”, “The Witch”, and “The Love You Love”
TV
-BUNHEADS (ABC Family)
Also
file under Unfortunately Named Television Series. I’m clearly not the
target audience for a program about a Las Vegas showgirl reassessing her
life while instructing ballerinas in small town California. I’ve never
watched anything on ABC Family or an episode of creator Amy
Sherman-Palladino’s GILMORE GIRLS. Nevertheless, I don’t know if
there’s another current show that leaves me feeling as good after an
episode as this one. Delightful repartee, appealing characters, and
inventive dance numbers make it the complete drama-comedy package.
I
don’t dance and possess little understanding of the art, but over the
years I’ve noticed that I really enjoy dance films. THE RED SHOES is an
all-time favorite. I also like the Japanese original and American
remake SHALL WE DANCE?, THE COMPANY, STEP UP 2: THE STREETS,.and CENTER
STAGE, among others. There’s just something about communicating feeling
through motion that moves me immensely. For example, Jeanine Mason
gets a beautiful single shot solo in the third episode of the first
season’s second half that is unspeakably light and charming, which says
everything about the idealized character she plays. Julia Goldani
Telles caps that BUNHEADS episode with an emotional piece expressing her
character’s fear. For a series so reliant on fast-flung words, the
dance scenes can be the most revealing and powerful.
I
can’t write about BUNHEADS and not mention Sutton Foster, who I first
saw in ANYTHING GOES on Broadway in 2011. She has the old-fashioned
entertainer qualities that surely would have made her a film superstar
in the screwball era. Her comic timing is aces, and she looks
effortless in her dancing.
Live sports
1. Detroit Red Wings at Columbus Blue Jackets (Nationwide Arena - Columbus, Ohio) (January 21)
During
the NHL lockout I was ambivalent about the season being saved. The
Columbus Blue Jackets were likely in for another bad season, and I was
busy enough with other things that its absence in the fall didn’t stand
out. I was a little disappointed to miss out on attending the All-Star
skills competition, but once the lockout reached deep enough into the
original schedule, it was all for the better. What fun would All-Star
game activities be they were being performed as a duty in a compromised
season?
Nevertheless,
when the lockout ended and a revised 48-game schedule was released, I
found myself ramped up for hockey’s return. I even bought a ticket for
opening night. Deals were plentiful because the CBJ had a week to sell
tickets for the first game and needed to make overtures to fans angry
about the lockout. As a quarter season package owner, I was offered
lower bowl seats for $25 through February. Ticketmaster fees were even
waived for the first week. They got me.
Opening
night in Columbus, the team’s second game, was a lot of fun. The place
was sold out, no doubt due to the ticket bargains and the opponent, the
hated Red Wings. The mammoth new scoreboard is a beauty and was
utilized better in terms of showing replays and keeping the “fan
experience” stuff (kiss cam, movie clips to prod enthusiasm) to a
minimum. The crowd was as energetic as I’d experienced it in some time,
perhaps since the first (and only) year the Blue Jackets made the
playoffs. The team played hard and almost pulled out a win. Losing 4-3
in a shootout was not the preferred outcome, but it was an entertaining
game that suggests maybe this team will be a fun one to watch.
Realistically, that’s what I’d like.
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